Driving home from the late shift tonight, in the dark and pouring rain, it occurred to me that I haven’t listened to loud, heavy music for quite some time. It was cathartic but judging by the slight ringing in my ears when I got home, I may have overdone it slightly 🤣🎸🥁🔊
One of few fast and frenetic tracks on Nevermind this creates a jolt of energy when listening to the album in sequence. Although “Smells Like Teen Spirit” gets the attention from this album this is equally as good. It was originally titled “Immodium” for an album that never happened and then re-recorded and renamed for Nevermind.
Lyrics
I don’t care, I don’t care, I don’t care I don’t care, I don’t care, care if it’s old I don’t mind, I don’t mind, I don’t mind I don’t mind, mind, don’t have a mind
Get away, get away, get away Get away, away, away from your home I’m afraid, I’m afraid, I’m afraid I’m afraid, afraid, ghost
Even if you have, even if you need I don’t mean to stare, we don’t have to breed We could plant a house, we could build a tree I don’t even care, we could have all three
She said, she said She said, she said She said, she said She said, she said
I don’t care, I don’t care, I don’t care I don’t care, care, care if it’s old I don’t mind, I don’t mind, I don’t mind I don’t mind, mind, don’t have a mind
Get away, get away, get away Get away, away, away from your home I’m afraid, I’m afraid, I’m afraid I’m afraid, afraid, ghost
Even if you have, even if you need I don’t mean to stare, we don’t have to breed We can plant a house, we can build a tree I don’t even care, we could have all three
She said, she said She said, she said She said, she said She said, she said
Even if you have, even if you need I don’t mean to stare, we don’t have to breed We can plant a house, we can build a tree I don’t even care, we could have all three
She said, she said She said, she said She said, she said She said, she said She said
Said, good
Click here for a playlist of all the songs in this series on Spotify
The song lyrics depict a man trapped in a mental asylum railing against the treatments being used to control his mental instabilities. It’s obviously not working as he is preparing to kill as part of an escape attempt.
The song is named after Jon Fratelli’s wife Heather, a burlesque dancer whose stage name – a play on Britney Spears – he borrowed for the song. Fratelli described the tune as “a rock ‘n’ roll gig in an old speakeasy or something like that.”
To me this song is just a whole lot of fun!
Lyrics
Well, you must be a girl with shoes like that
She said, you know me well I seen you and little Steven and Joanna Round the back of my hotel Oh yeah
Someone said you was asking after me But I know you best as a blagger I said, tell me your name is it sweet? She said, my boy it’s dagger, oh yeah
I was good she was hot Stealin’ everything she got I was bold she was over the worst of it Gave me gear, thank you dear, bring yer sister over here Let her dance with me just for the hell of it
Well you must be a boy with bones like that She said you got me wrong I would’ve sold them to you If I could’ve just have kept the last of my clothes on Oh yeah
Call me up take me down with you when you go I could be your regular belle And I’ll dance for little Steven and Joanna ‘Round the back of my hotel, oh yeah
I was good, she was hot Stealin’ everything she got I was bold she was over the worst of it Gave me gear thank you dear bring yer sister over here Let her dance with me just for the hell of it
Chelsea Chelsea I believe that when you’re dancing Slowly sucking your sleeve The boys get lonely after you leave It’s one for the Dagger and another for the one you believe
Chelsea I believe that when you’re dancing Slowly sucking your sleeve The boys get lonely after you leave It’s one for the Dagger, another for the one you believe
Click here for a playlist of all the songs in this series on Spotify
The title track of the 1992 album by the same name this track wasn’t released as a regular single but was released in 1993 as a live single to promote the live album “A Real Live One“.
The lyrics are about a man that is afraid of the dark but from a paranoid feeling of being watched rather than a phobia of the dark. It was apparently written by Steve Harris who had his own fear of the dark.
Lyrics
I am a man who walks alone And when I’m walking a dark road At night or strolling through the park
When the light begins to change I sometimes feel a little strange A little anxious when it’s dark
Fear of the dark Fear of the dark I have a constant fear that something’s always near Fear of the dark Fear of the dark I have a phobia that someone’s always there
Have you run your fingers down the wall And have you felt your neck skin crawl When you’re searching for the light? Sometimes when you’re scared to take a look At the corner of the room You’ve sensed that something’s watching you
Fear of the dark Fear of the dark I have a constant fear that something’s always near Fear of the dark Fear of the dark Have a phobia that someone’s always there
Have you ever been alone at night Thought you heard footsteps behind And turned around and no one’s there? And as you quicken up your pace You find it hard to look again Because you’re sure there’s someone there
Fear of the dark Fear of the dark I have a constant fear that something’s always near Fear of the dark Fear of the dark have a phobia that someone’s always there
Fear of the dark Fear of the dark Fear of the dark Fear of the dark
Fear of the dark Fear of the dark Fear of the dark Fear of the dark
Watching horror films the night before Debating witches and folklore The unknown troubles on your mind Maybe your mind is playing tricks You sense and suddenly eyes fix On dancing shadows from behind
Fear of the dark Fear of the dark I have a constant fear that something’s always near Fear of the dark Fear of the dark Have a phobia that someone’s always there
Fear of the dark Fear of the dark I have a constant fear that something’s always near Fear of the dark Fear of the dark Have a phobia that someone’s always there
When I’m walking a dark road I am a man who walks alone
Click here for a playlist of all the songs in this series on Spotify
“O Fortuna” is a medieval Latin Goliardic poem which is part of the collection known as the Carmina Burana, written early in the 13th century. It is a complaint about Fortuna, the inexorable fate that rules both gods and mortals in Roman and Greek mythology.
In 1935–36, “O Fortuna” was set to music by German composer Carl Orff as a part of “Fortuna Imperatrix Mundi”, the opening and closing movement of his cantata Carmina Burana. It was first staged by the Frankfurt Opera on 8 June 1937. It opens at a slow pace with thumping drums and choir that drops quickly into a whisper, building slowly in a steady crescendo of drums and short string and horn notes peaking on one last long powerful note and ending abruptly.
“O Fortuna” has been used in numerous films and TV commercials. In my head I had it firmly associated with Damien from the film series “The Omen” but it seems that it was never actually used in that film! I’d love to know how that has become some firmly planted in my mind?
Lyrics
Latin
O Fortuna Velut luna Statu variabilis Semper crescis Aut decrescis; Vita detestabilis Nunc obdurat Et tunc curat Ludo mentis aciem, Egestatem, Potestatem Dissolvit ut glaciem. Sors immanis Et inanis, Rota tu volubilis Status malus, Vana salus Semper dissolubilis, Obumbrata Et velata Michi quoque niteris; Nunc per ludum Dorsum nudum Fero tui sceleris. Sors salutis Et virtutis Michi nunc contraria, est affectus et defectus semper in angaria. Hac in hora Sine mora Corde pulsum tangite; Quod per sortem Sternit fortem, Mecum omnes plangite!
English
O Fortune, like the moon you are changeable, ever waxing, ever waning, hateful life first oppresses and then soothes as fancy takes it; poverty and power it melts them like ice fate – monstrous and empty, you whirling wheel, you are malevolent, well-being is vain and always fades to nothing, shadowed and veiled you plague me too; now through the game I bring my bare back to your villainy fate is against me in health and virtue, driven on and weighted down, always enslaved. so at this hour without delay pluck the vibrating strings; since Fate strikes down the strong man, everyone weep with me!
Click here for a playlist of all the songs in this series on Spotify
Taking inspiration from a fragment of lyrics in the archives of Woody Guthrie this is the band’s most successful single. To be honest it’s probably the only one I really listen too!
Although it was recorded and released long after I left university it brings back fond memories of leaping around to More Power to Your Elbow in the Student Union at Coleraine in the very early 90s.
Lyrics
I’m a sailor peg And I’ve lost my leg Climbing up the top sails I’ve lost my leg!
I’m shipping up to Boston, whoa I’m shipping up to Boston, whoa I’m shipping up to Boston, whoa I’m shipping off to find my wooden leg
I’m a sailor peg And I’ve lost my leg Climbing up the top sails I’ve lost my leg!
I’m shipping up to Boston, whoa I’m shipping up to Boston, whoa I’m shipping up to Boston, whoa I’m shipping off to find my wooden leg
Click here for a playlist of all the songs in this series on Spotify
First released on a 1990 compilation album (Nobody’s Child: Romanian Angel Appeal) released to raise funds for Romanian orphans and then on the 1993 album Use Your Illusion II. It was also released in the US as a single in 1990 but didn’t get a worldwide release until 1993.
Civil War is written as an anti-war song with many aspects of the song reflecting this. The beginning samples Strother Martin’s speech in the 1967 movie, Cool Hand Luke, quotes a speech by a Peruvian Shining Path guerrilla officer and includes the American Civil War song, “When Johnny Comes Marching Home“, whistled by Axl Rose in the intro and outro. It is these unusual aspects of the song as much as the actual musical elements that make me like it so much.
Lyrics
Look at your young men fighting Look at your women crying Look at your young men dying The way they’ve always done before
Look at the hate we’re breeding Look at the fear we’re feeding Look at the lives we’re leading The way we’ve always done before
My hands are tied The billions shift from side to side And the wars go on with brainwashed pride For the love of God and our human rights And all these things are swept aside By bloody hands time can’t deny And are washed away by your genocide And history hides the lies of our civil wars
D’you wear a black armband When they shot the man Who said “peace could last forever” And in my first memories They shot Kennedy I went numb when I learned to see So I never fell for Vietnam We got the wall of D.C. to remind us all That you can’t trust freedom When it’s not in your hands When everybody’s fightin’ For their promised land And
I don’t need your civil war It feeds the rich while it buries the poor Your power hungry sellin’ soldiers In a human grocery store Ain’t that fresh I don’t need your civil war Ow, oh no, no, no, no, no
Look at the shoes you’re filling Look at the blood we’re spilling Look at the world we’re killing The way we’ve always done before Look in the doubt we’ve wallowed Look at the leaders we’ve followed Look at the lies we’ve swallowed And I don’t want to hear no more
My hands are tied For all I’ve seen has changed my mind But still the wars go on as the years go by With no love of God or human rights ‘Cause all these dreams are swept aside By bloody hands of the hypnotized Who carry the cross of homicide And history bears the scars of our civil wars
I don’t need your civil war It feeds the rich while it buries the poor Your power hungry sellin’ soldiers In a human grocery store Ain’t that fresh I don’t need your civil war No, no, no, no, no, no, no, no, no, no, no, no I don’t need your civil war I don’t need your civil war Your power hungry sellin’ soldiers In a human grocery store Ain’t that fresh I don’t need your civil war No, no, no, no, no, no, no, no, no uh-oh-uh, no uh-oh, uh no I don’t need one more war
I don’t need one more war No, no, no, no uh-oh-uh, no uh-oh, uh no Whaz so civil ’bout war anyway?
In my 20s I fell in love with the romantic notion of this track being my funeral song. At that young age death is only a distant concept but there is something poetic and comforting about both the music and the words that would suit carrying a coffin out of a Church to a graveyard.
Initially the video was banned by MTV for being “pro-suicide” but lead singer Dave Mustaine denied this in a 1994 interview and gave the inspiration behind the lyrics as how I also understood them:
It’s not a suicide song. What it is, it’s, you, it’s when people have a loved one that dies and they end on a bad note, you know, they wish that they could say something to them. So this is an opportunity for the deceased to say something before they go. And it was my impression of what I would like to say to people, if I had say, 3 seconds to do so in life before I died I’d say to the entire world, to all my friends, I love you all, and now I must go. These are the last words I’ll ever speak, and they’ll set me free. I don’t have to say I’m sorry, I don’t have to say I’m going to miss you, or I’ll wait for ya. You know, I’ll just say I loved you all, good, bad, indifferent, I loved you all.
Arsenal of Megadeth DVD. Capitol Records. 2006
The track was re-released in 2007 as a duet with Italian singer Cristina Scabbia. I still prefer the original.
Lyrics
Don’t remember where I was I realized life was a game The more seriously I took things The harder the rules became I had no idea what it’d cost My life passed before my eyes I found out how little I accomplished All my plans denied
So as you read this, know, my friends I’d love to stay with you all Please smile when you think of me My body’s gone, that’s all
A tout le monde A tout mes amis Je vous aime Je dois partir These are the last words I’ll ever speak And they’ll set me free
If my heart was still alive I know it would surely break And my memories left with you There’s nothing more to say
Moving on is a simple thing What it leaves behind is hard You know the sleeping feel no more pain And the living are scarred
A tout le monde A tout mes amis Je vous aime Je dois partir These are the last words I’ll ever speak And they’ll set me free
(So as you read this, know, my friends I’d love to stay with you all Please smile, smile when you think about me My body’s gone, that’s all)
(These are the last words I’ll ever speak And they’ll set me free)
Click here for a playlist of all the songs in this series on Spotify
This is the 10th album release from Aerosmith but was my first proper experience of them. I was given a taped copy of the album by a friend along with “Permanent Vacation“. I pretty much wore out the two of them but Pump was and still remains my favourite of the two.
There are 4 very well known single releases from this album but this particular track was album only. It is one of my favourites though with its very different beat, instrumental and intriguing lyrical rhythm. I also like the use of well known clichés in the lyrics and how they’re given a new context.
When I got this album I was only 17 and in my first year at Coleraine university. I have a vivid memory of sitting in the upstairs balcony of “The Model” with Karen and Kim from my course in between classes and Karen asking what I was listening to on my headphones. I’m still not sure what she thought of it!
Lyrics
I’ll tell you little secret make you want to jump and shout when you talk to me in circles take your foot out of your mouth it’s hard enough to make it when you’re livin’ on the street and you want to tell somebody but you got to be discreet then you catch your girlfriend with her skirt hiked up to here honey, don’t get mad, get even
don’t get mad, get even [3x]
say the times they be a-changin’ though the blind lead the blind you know your head is empty though there’s somethin’ on your mind been shackin’ up with Lucy, then when the morning comes you’re with Sally in the alley and the junkies and the bums you wonder why your girlfriend has her skirt hiked up to here honey, don’t get mad, get even
Don’t get mad, get even [3x]
(…’til I can see the white o’ your eyes, baby…) (…I’m gonna kick ass…) (…just wait ’til you see what I got in store for you)
roll the dice get lucky ’cause they roll you for the dime you got nothin’ else to lose if you only lose your mind when pleasure that is shallow causes trouble to be deep you’ve been dusted with the devil while he sweeps you off your feet
I’ll tell you little secret make you want to jump and shout when you talk to me in circles take your foot out of your mouth it’s hard enough to make it when you’re livin’ on the street and you hate to be a wiseguy when your feet are in concrete oh, sleepin’ with the dogs, and you wake up with the fleas honey, don’t get mad, get even